How many bands can you think of that, decades into their career, are still capable of springing surprises, of blazing fresh trails, creating new music that is up there with the imperishable songs that first propelled them to fame, fortune and critical acclaim? It’s an interesting exercise, and a brief one – a list you can make on the fingers of one hand. In 2015, Duran Duran will cement their place in that illustrious grouping with a new studio album – their 14th, no less – that burnishes their role in the story of pop, and puts the many young pretenders whose music they have influenced firmly in their place. As part of a major new recording deal with Warner Bros. Records, Paper Gods starts the next chapter in the history of the band, with a host of A-list collaborators – including Nile Rodgers, Mark Ronson, Mr Hudson, Janelle Monáe, John Frusciante, Kiesza and Davide Rossi – joining the party. “We found a whole new level of inspiration on this album,†says the band’s keyboardist and aesthetic overlord, Nick Rhodes. “We were talking the
other day about artists that have been around for a long time – our contemporaries and some older ones, and there’s only a handful of the latter now, still out there playing shows. And we were saying, ‘What albums did they make this far down the line that we own?’ And that was a difficult one.â€
Simon Le Bon has a theory as to why the band are still friends, and still making vital, compelling music, 37 years after Duran Duran first formed in Birmingham. “I think with some artists, as they get into extended careers, it’s like climbing up a rock-face – they start to look down. If you do that, musically, you’re pretty much dead in the water. You can hear it when someone’s thought about it just a little too much, or tried to write something that they think people will like, rather than something that turns them on. We’ve always written music that turns us on; we’ve never tried to tailor it to any kind of taste.†Band politics play a role, too, he says. “I think part of our strength is the tension in our music, which probably comes from the tension within the band. When you’re young, you’re not scared of upsetting people, and actually we can still push that sometimes. But harsh words are forgiven. Ultimately, we know that we will fight for each other, whatever the situation. We stick together. Nick and I can fight tooth and nail, over a lyric, or a musical part. And you would think in those moments that we hate each other’s guts, but really we love each other.â€
“We have been through a lot together†John Taylor adds, “and now it’s very much a case of ‘Know thyself.’ At this point in our career, it’s about being really in touch with your identity, and drawing strength from the knowledge that you’ve all been on this incredible journey, a journey that is still going on. I think you can hear that in the new songs; we’re still learning things from and about each other, personally as well as musically.†For John, the most satisfying thing about the new album is that it captures the duality, the sense of conflict, at the heart of the band’s music. “In the original blueprint for the band, there was this dark, slightly progressive side to us, and it tended to get a little bit trampled on by the poptastic aspect. In that desire for pop satisfaction, you can forget what you set out to do. The new record really goes back to that strange early Duran mix: the hard-edged pop, coexisting with this
dark, weird, experimental side.†“That’s something that’s essential to all of us,†agrees Nick. “It’s great to be able to lift people’s spirits – and your own – with a strong shot of pure pop, but the world we live in isn’t all just made of that stuff, so it seems natural to me, and has done since the very beginning, that we have kept, and still keep, one foot in the darker, more Gothic side of life.â€
Early sessions for the new record began in 2013, with Mark Ronson and engineer Josh Blair once again joining the band in their south London recording studio, as they had for 2011’s All You Need is Now. When Mark was called away to begin working on his own album, Josh picked up the reins, ultimately co-producing nine new tracks (six with the band and three alongside the band and Mr Hudson), and engineering the entire record. Nick says of the collaboration “He really was our anchor throughout the project, helping to sculpt the sound of the album and presiding over every detail. He was there from the start, and that gave us a feeling of continuity from the last record.â€
In 2014, having created the backbone of the album, Duran Duran hooked up with the Kanye West/Jay-Z collaborator Ben “Mr†Hudson, and the sessions caught fire once again. “Ben was our manager, Wendy Laister’s suggestion,†recalls Roger Taylor. “We can be strange about working with other people sometimes; we tend to t